More recently, quite a few people have asked for the sound examples to accompany my 2002 paper: ‘Barrett, N. 2002. Spatio-musical composition strategies. Organised Sound, 7(3). pp 313-323’.
These examples used to be on-line but vanished when a server has taken down.
Finally, after a long search through old backups (yes, the 17-year old CD-rom still played!) I found the examples. They can now be downloaded here:
The next problem was working out the format of the 4-ch file sound examples. Considering its 17 years ago, I’m 99% sure they are: B-format ambisonics, with FuMa/FMH channel order and weighting. i.e. channels are WXYZ and the decoder must be a FuMa decoder (not Ambix or SN3D). Decoding rules should be followed concerning the number of loudspeakers and 2D / 3D decoding. There may also be a 90 degree rotation, depending on the docoder’s co-ordinate system.
17 years ago is a long time in the ambisonics world, and I must have made these examples with either the ICST ambisonics MaxMSP objects, or with Richard Furse’s Vspace.
‘Liquid Crystal’ (clarinet and live electronics) from 2000 has been given a facelift with a MaxMSP7 update, and ‘performer controls all’ live electronics / score. This 2018 version is ready. Very happy that my early live electronics pieces are still being performed!
‘Dusk’s Gait’ has been selected by the Norwegian jury for sending to World Music Days 2019. Premier in Oslo, 7th November 2018.
So very pleased that my composition ‘Portals’ received the Special Mention for the “Electroacoustic music” section in the Finalists of the XII International Composition Competition “Città di Udine”!
Portals is composed in stereo – a format that I haven’t composed directly in for 18 years. The work was create as a demo for EAU’s Virtualmonium and as a class example of classical acousmatic composition techniques that I could easily pick apart for my composition students.
Concert in Udine, Italy in October, which will be the public world premier, unless an opportunity comes up in Norway first.
After an intense production week in IRCAM’s studio-1, Pockets of Space played two days of continuous shows in the Pompidou Grande Salle with a 64-channel ambisonics loudspeaker array (7th-order 3D) and 3D video with OEG. So many thanks to IRCAM’s production team!
Involuntary Expression is my latest acousmatic composition realised in 6th-order 3D ambisonics.
Premier: 11th September 2017 (19.00). Ultima Festival. Marmorsalen, Sentralen, Oslo, using 3DA’s 24-channel loudspeaker array.
Involuntary Expression explores music that emerges from the micro-movements of hundreds of subjects. Micro-movements are the body’s small movements that we ourselves may feel, but for a viewer are undetectable. These movements are present in all we do, and can feel significant even though invisible. Likewise, when we watch a musician, we see the larger movements and how they connect to the sound we hear, yet the micro-movements, vital in the control of the sound, are known only to the musician herself. For more information: click here to access my main website
photos from setting up