Involuntary Expression is my latest acousmatic composition realised in 6th-order 3D ambisonics.
Premier: 11th September 2017 (19.00). Ultima Festival. Marmorsalen, Sentralen, Oslo, using 3DA’s 24-channel loudspeaker array.
Involuntary Expression explores music that emerges from the micro-movements of hundreds of subjects. Micro-movements are the body’s small movements that we ourselves may feel, but for a viewer are undetectable. These movements are present in all we do, and can feel significant even though invisible. Likewise, when we watch a musician, we see the larger movements and how they connect to the sound we hear, yet the micro-movements, vital in the control of the sound, are known only to the musician herself. For more information: click here to access my main website
photos from setting up
‘Kongsberg Silver Mines’ from the ‘Sub Terra Cycle’ is playing on Martian Gardens this week. The full program listing is here: https://martiangardens.blog/2017/06/08/martian-gardens-episode-888/
Links to how to listen (podcast, webcast, radio broadcast) here:
Very proud to receive Ars Electronica honorary mention in the digital music category for the installation “We Are Not Alone”, with Anthony Rowe!
10th December, 17.30-18.30.
Works by Roxanne Turcotte, Natasha Barrett, Anders Vinjar, Anders Tveit, Daniele de Virgilio. Our guest performers for this concert are Karin Hellqvist (violin) and Heloisa Amaral (piano).
Roxanne Turcotte: Mères et monde (acousmatic, sound diffusion).
Natasha Barrett: Allure & Hoodwink (piano, violin, live electronics and 8-ch electroacoustic sound).
Anders Vinjar: Oppspent line (acousmatic, sound diffusion).
Daniele de Virgilio: Everything that shines (acousmatic, sound diffusion).
Anders Tveit: TBA.